How Long Until A Feature Length Movie Is Filmed Entirely With Smartphones?
from the we're-getting-there dept
Earlier this year, we wrote about the (very, very cool) publicity stunt pulled by the band Atomic Tom, where they performed one of their songs live on the NYC Subway using only iPhones as instruments. Of course, they also filmed the whole thing with iPhones as well and that’s actually becoming more popular. Jeremy points us to a story at Mashable covering ten music videos filmed with the iPhone and most of them are pretty damn good. Here’s one that was produced and edited by Emmy Award-winner Alen Petkovic for the band Vintage Trouble:
As you watch these videos, you realize that in a lot of cases, if you didn’t know they were filmed with a smartphone, you’d probably never know. We’ve shown how filmmakers can make a pretty high quality film with a standard DSLR in the past but I’m beginning to wonder when we’ll see the first released “feature film” filmed entirely with smartphones. I would imagine it can’t be that far away.
And, if you think about it, this is pretty damn exciting. I remember when I was a kid, the idea of being able to make movies was a really cool idea but it involved saving up a ton of money to buy an expensive video camera or hoping that you could find some friends whose parents had a video camera (which they never really wanted us kids to borrow). But when you get a super high quality video camera included in the phone you already bought anyway… well, suddenly some pretty powerful things can be enabled.
At a time when the movie industry is whining and complaining about how there are supposedly going to be fewer movies made, I’d argue that they haven’t paid much attention to how much the tools of film making have been getting ridiculously cheaper over the past couple of decades. And no (before the Hollywood apologists step in and falsely claim this), I’m not saying that just because you can take decent videos on an iPhone, it means that we don’t need professionals or higher end cameras and such. This is just to point out the extreme end of the spectrum and to recognize that some of it is definitely filtering back to other parts of film making as well. A professional film shot on a tight budget might actually be able to do a few more things because they can go with cheaper cameras. I’ve been listening to Kevin Smith’s podcasts about his upcoming film Red State, and at one point, they mentioned that in order to fit things in their budget, they ended up borrowing a Red Camera (which is a high quality, but relatively cheap camera) from a guy in exchange for letting him hang out on set. But imagine what more people could do if they could devote less of their budget to things like cameras and make existing budgets go further.