Copyright Filters And Takedowns Are Broken: Questlove Says YouTube Flagged Him For Playing His Own Tracks

from the because-of-course dept

Another day, another story of how broken copyright is in taking down content that shouldn’t be taken down. We’ve been talking about all of the many ways in which notice-and-takedown systems are broken of late, but this one appears to be more of the problem with filters — such as those now required in the EU, and which lobbyists are pushing for in the US, under the banner of “notice-and-staydown” (which would require a filter to function). Of course, the problem with filters is that they regularly get things wrong. And the very best of the filters is ContentID. YouTube has spent over $100 million on it, and yet… here’s Questlove, of the Roots, highlightinghow it’s taking down him playing his own music:

Questlove posted this in response to a YouTube announcement that it was putting $100 million towards promoting black artists, complaining about YouTube flagging his (incredible and brilliant) DJ sets even for his own music.

But while it’s easy to point the finger at YouTube’s ContentID problem, the fingers really should be pointed at copyright law and the demands of the record labels. That’s why ContentID is so bad, and it’s why we should be very, very concerned about efforts to make ContentID-style filters mandatory.

Filed Under: , , ,
Companies: youtube

Rate this comment as insightful
Rate this comment as funny
You have rated this comment as insightful
You have rated this comment as funny
Flag this comment as abusive/trolling/spam
You have flagged this comment
The first word has already been claimed
The last word has already been claimed
Insightful Lightbulb icon Funny Laughing icon Abusive/trolling/spam Flag icon Insightful badge Lightbulb icon Funny badge Laughing icon Comments icon

Comments on “Copyright Filters And Takedowns Are Broken: Questlove Says YouTube Flagged Him For Playing His Own Tracks”

Subscribe: RSS Leave a comment
57 Comments
This comment has been deemed insightful by the community.
That One Guy (profile) says:

Evening the playing field

The core issue is that the law is so laughably one-sided that sites effectively don’t have any other choice but ‘shoot first, ask questions only if challenged by someone with a loud enough voice’. You want to make stuff like this happen less all it would take is a few changes to the law:

-First and foremost, the copyright owner has all the responsibility, if they want to find infringement it it entirely on them, no more demanding that platforms do it for them.

-Next, institute penalties for bogus or fraudulent claims. If you’re going to demand that someone’s content be removed then you’d better be damned sure that you’re in the right, otherwise it will cost you. For this I would suggest breaking out an old copyright maximalist favorite that was making the rounds a few years back, the strikes system, and make it so that after a certain number of ‘strikes’ within a set period of time the content goes irrevocably into the public domain. If a person/company knows that making enough bogus claims will cost them the ability to make any claims related to that content in the future, as it will no longer be theirs, then they are going to be very careful in issuing claims, and unlike a monetary penalty this isn’t something a large company can just shrug off.

-Accusation is no longer treated as equivalent to a finding of guilt. Merely accusing someone of infringement should not warrant an automatic penalty as though they had been found guilty like removal of content, and if those issuing the accusations want to say that sites should be liable for facilitating infringement by ignoring claims then claims are not going to cut it, they need to prove that someone has been found guilty in court(default rulings wouldn’t count towards this) multiple times and the sites still did nothing.

-Along those lines I’d set up something like an anti-SLAPP law for copyright cases, where if the accused can make a compelling case that their use falls under fair use then the one who made the accusation is forced to, at a minimum, pay all of their legal fees. For obvious cases this dismissal and fee payment would take place at the outset, for less obvious cases it would trigger should they prevail in court. This would allow those that believe that they have a case but couldn’t afford it to defend themselves.

-Speaking of penalties, since the copyright maximalists love to compare copyright to theft the penalties should be scaled down to match, such that a song /movie/book doesn’t go from being worth a couple of bucks to thousands or tens of thousands simply because it wasn’t acquired/used legally. I imagine a lot of cases would simply never be bothered with if the potential payout was in the single, double, or maybe low triple digits, and since as far as I know that is the punishment for actual theft it would be entirely appropriate to set the penalties to that amount.

I’m sure there are refinements to be made and other fixes that could be added, but simply making it so that both sides face penalties for abuse and violations rather than just the one as it currently stands would likely go a long way to reducing those.

This comment has been flagged by the community. Click here to show it.

This comment has been flagged by the community. Click here to show it.

This comment has been flagged by the community. Click here to show it.

Anonymous Coward says:

Re: Re: Re:2 Copyright violation as theft

Yes, that’s fair. But it’s good to know there is a candle in the wind. As the hurricane of censorship batters the USA, people are happy to hear that not everyone is of the hive mind. In fact, few are hive minders. Very few. Mike accounts for Steve, PaulT, That Anonymous Coward, Code Monkey, and many others. Not really a hive at all, but Mike is a queen, that part is true. A queen with a lot of fake voices, all buzzing the same.

I, on the other hand, am Unique. I have an Opinion of MY OWN! A Candle In the Wind. Elton wrote that for me, actually. Me. A candle. Forever burning, forever lighting the path towards enlightenment and conservative values and Rand Paul and Ron Paul and Devin Nunes Don Bongino and Donald J. Trump, the Magnificent.

I AM UNIQUE! AND SO ARE MANY! AND WE HAVE GUNS! (No Kidding).

PaulT (profile) says:

Re: Re: Re:3 Copyright violation as theft

"Mike accounts for Steve, PaulT,"

Mike accounts for me? Are you so delusional that you think he’s me? Or, is the simple act of creating an account here so alien to you that you have to invent yet another fantasy word surrounding such honesty?

"AND WE HAVE GUNS! (No Kidding)."

Yes, that is why I’m always so concerned about your poor metal health. When you lose this outlet for your psychotic breaks, as you keep demanding you should, you’re probably dangerous. Thankfully, I’m thousands of miles away, in a country that’s competently beating the pandemic, with no danger of entering the second lockdown demanded by the orange one.

This comment has been flagged by the community. Click here to show it.

This comment has been deemed insightful by the community.
Anonymous Coward says:

Re: Evening the playing field

I agree for the most part on what you’re saying. But you have a major logical error on the penalities for improper strikes where you want the affected material to go into the public domain.

The issue is that all too often, material is flagged where the person issuing the flag HAS NO RIGHTS TO THE MATERIAL FLAGGED. It wouldn’t be a financial penality for guilty party for that material to become public domain. It seems to me that a better penality would be a fine (hopefully payable to the victim), or a revocation of their ability to flag material.

This comment has been deemed insightful by the community.
Anonymous Anonymous Coward (profile) says:

Consequences should go both ways

While I agree that the issue lays with copyright law and over exuberant IP maximalists, that doesn’t mean that YouTube couldn’t improve their dispute resolution system. What we hear is that they aren’t very communicative and at the very least that part has to change, though I am certain other improvements could be made.

Content ID could probably use some help as well, but if I understand how that works, someone uploads their stuff, and then Content ID looks for a match. So one has to wonder how Content ID flagged original music? Was it that close to some other tune? Did someone copy Questlove’s songs and then upload them to Content ID as their own? Is there another possibility?

If someone is caught claiming other peoples stuff, then they should lose their privilege to claim anything. It does not matter if the system is automated or not, there should be a duty of care to not make claims to things that are not actually owned by that claimant.

This comment has been flagged by the community. Click here to show it.

This comment has been flagged by the community. Click here to show it.

Anonymous Coward says:

Re: Consequences should go both ways

YouTube couldn’t improve their dispute resolution system.

How, as the law requires them to pass the counterclaim to whoever made the claim. The one thing YouTube cannot do without accepting a large risk is adjudicate counter claims, especially if they are asked to adjudicate fair use, which would make them party to any subsequent lawsuit challenging the fair use determination.

The insidious part of the DMCA and similar laws is that they place liability on a third party if they do anything other than take down material on receipt of a validly formatted claim, or risk large financial penalties. This means that third parties like YouTube, catch the heat for abuse of the system carried out by other people.

This comment has been flagged by the community. Click here to show it.

Zane (profile) says:

Re: Re: Consequences should go both ways

I’m not sure I’d call youtube a "Third party". They host the content, so they have some level of responsibility to act on removing material that shouldn’t legally be there. At least when they are made aware. I know they want to shirk that responsibility as it doesn’t fit their business model.

This comment has been deemed insightful by the community.
PaulT (profile) says:

Re: Re: Re: Consequences should go both ways

YouTube are absolutely a third party. They’re not the artist or the copyright holder, and there’s no central database to check who is who. They usually take something down when informed but this is wide open to abuse given the above. Literally the same video can be infringing and legal at the same time depending on who uploaded it.

As ever if you blame YouTube for this mess because they occasionally make the wrong decision on the thousands of hours of video people upload to them every minute, you’re missing most of the actual problems. They could improve but they don’t have magic yet.

Zane (profile) says:

Re: Re: Re:2 Consequences should go both ways

They are hosting the content, that makes them a key player, in my opinion. It’s like saying an editor for a paper who decides to print absolutely any article anyone sends is a third party, because they choose not to moderate – or are reactive. But papers don’t get away with that. I know they want to be seen as somehow as incidental, their business model depends on it. A third party in this situation could be an advitisor or someone very incidental.

Anonymous Coward says:

Re: Re: Re:3 Consequences should go both ways

A newspaper has full control over what appears on their pages, YouTube has very little control over what appears on their site. Also, when any publisher has to decide what is published from all the submissions that they receive, most submissions are never even considered for publication.

Copyright is no longer fit for purpose, as a law designed to protect the publishers interests in the very small amount of material published runs into problems when anybody can publish, and many people do. There is now more content published every hour or so than all the traditional publishers could publish in a year.

PaulT (profile) says:

Re: Re: Re:3 Consequences should go both ways

You appear to be missing the entire point if user generated content and to be wishing that your own comments here get left for weeks in moderation if not outright banned. Very strange.

But, yes, the absolutely fundamental nature of an open platform is very different to a closed edited one.

Zane (profile) says:

Re: Re: Re:4 Consequences should go both ways

Not at all, I understand their business model, they don’t want to do editorial role. They want to limit their legal responsibility but keep all the advertising revenue. Takedown requests were a compromise to avoid having to go through onerous moderation, and avoid liability. If you don’t have takedowns, then people will call for those who are hosting the content to be liable for copyright infringements. I get that many on this site don’t like copyright, but it’s not magically going to go away for a variety of reasons.

PaulT (profile) says:

Re: Re: Re:5 Consequences should go both ways

"Not at all, I understand their business model, they don’t want to do editorial role"

Yes, they don’t want to be manually sifting through thousands of hours of video every minute and shoulder the costs of employing the ridiculous number of people that would involve, only for some asshole to still sue them whenever a mistake is made, or for you to whine when it takes a month for your comment to appear here due to the demand that it be edited.

This comment has been deemed insightful by the community.
PaulT (profile) says:

"even for his own music."

The first question – is it really his own music? He’s been signed with Universal/EMI subsidiaries off the top of my head and I doubt that he’s been playing on the Jimmy Fallon show for as long as he has without NBC trying to claim ownership of every recorded instance of his music on that show. If he’s referring to music released under those contracts, it’s likely not "his" music legally.

The second is – who issued the takedowns and why? A DJ set will naturally contain music that was originally released by all sorts of labels and contracts, and YouTube need to take down anything flagged – which might be for a single record played out in the set.

YouTube can improve the way it works, but I dare say that the fundamental issues at play here – artists often don’t legally own the music they made, and the ones who do often don’t recognise fair use or remixing as valid uses of their material – won’t change no matter what YouTube do.

This comment has been flagged by the community. Click here to show it.

This comment has been flagged by the community. Click here to show it.

This comment has been flagged by the community. Click here to show it.

PaulT (profile) says:

Re: Re: Re:4 Re:

"Let it burn?"

Weird you say that since I said nothing of the sort.

"Defund Police? That’s wrong, but you endorsed it. Blm? Same. AntiFa? Same. More and more … on and on.."

Your fantasy version of me who has said nothing I’ve ever said sure sounds scary.

Let’s just note again that in response to me stating some very simple facts, you not only insisted I was wrong and refused to state any rebuttal, but when challenged made up a Narnia level alternate world.

Again, have you ever considered that the real world is better than your nightmare fiction? It must be easier to deal with the reality everyone else is living in than fight against something only you can see?

This comment has been deemed insightful by the community.
Anonymous Coward says:

Re: Re: Re:5 Re:

Again, have you ever considered that the real world is better than your nightmare fiction?

Well, let’s see: in the real world, Trump has alienated his allies and isn’t the best buddy of Kim Jong Un as he’d like to believe; Hilary Clinton isn’t in jail; the Mexico border wall isn’t finished; Pizzagate turned out to be a scam; most of his voter base is likely to die from COVID-19 or a bullet from their own assault rifle posturing. Also in the real world, Shiva Ayyadurai didn’t invent email, got scalped by a "fake" site, and scalped by a "fake" Indian.

Yeah, Hamilton’s problem is not that he’s never considered the real world. He’s seen it, and he hates it.

PaulT (profile) says:

Re: Re: Re:6 Re:

"Yeah, Hamilton’s problem is not that he’s never considered the real world. He’s seen it, and he hates it."

It’s still surely easier to deal with than the world he constructed? If you’re going to invent a fantasy world, why make it one more difficult to live in? Very strange, but then we expect that from him…

Anonymous Coward says:

Re: Re: Re:7 Re:

Because part of having an imaginary narrative where the side you support are the heroes, you have to have a side villainous enough to be vilified.

That’s why Hamilton doesn’t see average people trying to get by, he sees a criminal empire trying to undermine the legacy copyright and Shiva Ayyadurai has wrought, and instead of seeing people who don’t take bullshit for an answer he thinks America is under threat – because it feeds his savior narcissist tendencies.

Besides, it’s not like Hamilton has to lift a finger. In his imaginary world Bill Barr not only saves his ass but kisses it better. Even his imaginary heroes need imaginary villains.

Anonymous Coward says:

Re: Re: Re:2 Re:

My guess would be because you are a delusional person who doesn’t have a firm grasp on reality. Everything that sounds wrong to you, seems to be filtered through an adult peanuts filter so that it becomes warped and fits into your preconceived notions. Literally everyone reading your posts believes you are an unhinged idiot, regardless of what name you post under.

Anonymous Coward says:

Re: Re: Re:2 Re:

If the legal analysis is so obviously wrong, could you perhaps explain to us what is wrong with them and what the correct analysis would be? I think that would be a lot more helpful than snide sniping with no real information whatsoever.

I also think it would also be far more mature. But that’s just my opinion.

This comment has been deemed insightful by the community.
PaulT (profile) says:

Re: Re: Re:3 Re:

"If the legal analysis is so obviously wrong, could you perhaps explain to us what is wrong with them and what the correct analysis would be"

That would certainly be welcome.

I’m very happy to be proven wrong about my understanding of the music industry, where an artist doesn’t own the music they released under a major label, to the point where an artist can’t DJ a set with solely his own music without being shut down by the label. I truly wish this is not the reality of what happens, and will gladly look at any evidence to disprove what I think happens.

But, instead, he decided to rant about a fantasy that has nothing to do with the point in hand.

Brooklyn BassMint says:

the legal side . . .

just because you created something does not mean you control it. as mentioned in the comments, this person is signed to entities that he most likely assigned certain administrative rights.
There are also Performance Rights, and other rights holders to be considered. These platforms only have licenses that allow x seconds of a song to be played. To protect themselves, they shut things down. It all boils down to money, who is paying and who is collecting. I do not believe there is currently a license category available for online DJs for them to play music legally. However, it can be done, but these DJs don’t want to put in the work or invest to do so. Such as DJ Scratch and his Scratchvision which has been running for almost a decade.

Anonymous Coward says:

Is he currently signed with a record company,
There’s probably a clause in his contract re most of the revenue from streaming music goes to his record company, any streaming on YouTube will be blocked or taken down unless its goes through vevo on YouTube or some other official channel.
Music contracts are complex, singers, musicians, songwriters have different.
There’ was an act of Congress to modernise the law re streaming music digital music revenue share and payments
But it doesn’t really apply to YouTube.
YouTube is covered by the dmca and various agreements with the record company’s
We need an detailed article by a tech expert and a legal expert to explain how the dmca law is applied on YouTube

Anonymous Coward says:

Is he currently signed with a record company,
There’s probably a clause in his contract re most of the revenue from streaming music goes to his record company, any streaming on YouTube will be blocked or taken down unless its goes through vevo on YouTube or some other official channel.
Music contracts are complex, singers, musicians, songwriters have different.
There’ was an act of Congress to modernise the law re streaming music digital music revenue share and payments
But it doesn’t really apply to YouTube.
YouTube is covered by the dmca and various agreements with the record company’s
We need an detailed article by a tech expert and a legal expert to explain how the dmca law is applied on YouTube

ECA (profile) says:

No body..

NO body knows Who owns what..
You have agencies that declare they own this and that, but supply no proof.(what are the odds that no rights have been registered and they dont want anyone to check)
Then you have artists that pay them money or Dont, and load up their OWN works…and are taken down but that same system, only based on THEIR NAMES…

Where is the verification. There isnt any. There is no EASY source to access.

Anonymous Coward says:

Petitions

https://www.techdirt.com/articles/20120126/00201617543/another-interesting-white-house-petition-reduce-term-copyright.shtml

https://www.techdirt.com/articles/20120126/00201617543/another-interesting-white-house-petition-reduce-term-copyright.shtml

Discusses a now removed petition to reduce copyright term lengths. Such petitions can no longer really be found on whitehouse.gov or change.org.

I imagine starting one would result in the petition being removed. Perhaps Techdirt could host its own petition that can, over the years, gain more and more signatures. It can ask for all of the necessary information that a petition would need.

Anonymous Coward says:

Re: Petitions

(to continue) it seems like these petition sources screen petitions that get through and now remove the ones they don’t like. This is really bad. Perhaps sites like Techdirt can start their own petition to reduce copyright lengths and make the penalty structure of copyright less one sided (reduce penalties for infringers but increase penalties for those that issue false takedowns).

Techdirt should probably host its own very own petition section with a list of petitions that people could sign that would gain signatures over the years. Because it now seems like whitehous.gov and change.org are selective about the petitions they host and what they host is not organically chosen to serve the public will or interest.

Add Your Comment

Your email address will not be published. Required fields are marked *

Have a Techdirt Account? Sign in now. Want one? Register here

Comment Options:

Make this the or (get credits or sign in to see balance) what's this?

What's this?

Techdirt community members with Techdirt Credits can spotlight a comment as either the "First Word" or "Last Word" on a particular comment thread. Credits can be purchased at the Techdirt Insider Shop »

Follow Techdirt

Techdirt Daily Newsletter

Ctrl-Alt-Speech

A weekly news podcast from
Mike Masnick & Ben Whitelaw

Subscribe now to Ctrl-Alt-Speech »
Techdirt Deals
Techdirt Insider Discord
The latest chatter on the Techdirt Insider Discord channel...
Loading...